Entries by Chimera Lighting

La La Land Linus Sandgren

Released this last December, the Lionsgate musical La La Land has gone on to gross more than $340 million, eleven times its original budget of $30 million. Securing not only seven Golden Globe wins, one for every single nomination that the film received, La La Land is also currently tied with Titanic for most Academy Award nominations ever, including a nod for Best Cinematography for DoP Linus Sandgren, FSF, as well as Best Actress and Best Actor for stars Emma Stone and Ryan Gosling.

Cinematographer Kris Kachikis; Communication is the key to success on set

“There’s no room for grumpy,” says cinematographer Kris Kachikis in regards to the current state of filmmaking. “There’s no room for jaded.” Though he’s completely abashed at his own success, Kachikis also knows exactly what he is doing, and he works hard, which has helped to cement his reputation in the industry as a DoP capable of reliable coverage and quick rigging with a quick crew. Following up work on the feature-length film Mascots for master director and comedian Christopher Guest, now streaming on Netflix, Kachikis was already working on his follow-up as lead camera on the upcoming Christmas comedy, Why Him?, starring James Franco and Bryan Cranston, before Mascots had even debuted at the TIFF festival in Toronto this last September.

David Moxness ASC; Growing Up Behind the Camera

With a body of work for top names in the industry like J.J. Abrams, McG, Atom Egoyan and David Cronenberg, David Moxness A.S.C., C.S.C, has a technical history in media that goes as far back as gaffer for the very first interactive television show, Captain Power, as well as camera for Gene Rodenberry’s EARTH: FINAL CONFLICT, the first episodic to use 24 fps HD video. Known for, Moxness is currently filming a return to the popular and very successful miniseries, The Kennedys, with a sequel, The Kennedys After Camelot. He also shot several episodes on this last season of Lethal Weapon for 20th Century Fox.

Colin Anderson and the 1,000 Cranes

Based out of Australia, but finding himself working worldwide, conceptual artist Colin Anderson will often build a final still image from hundreds of other images and graphic elements. The commercial photographer finds himself in demand with clients looking to build deeply symbolic narratives that must be told through only a single still image. With a talent for fantasy, computer work and studio lighting, Anderson has plenty of advice on cobbling together the needed components for composite work and conceptual commercial photography. Recently, he was given Chimera equipment to try for the first time; see how Chimera improved his workflows!