Virtual Reality Lighting with Andrew Shulkind

A Brave New World: Feature film, Commercial, and VR cinematographer Andrew Shulkind on the unique demands of lighting for 360 degrees of coverage.

NEWSSHOOTER at NAB 2017

Active Diffusion allows you to control the specularity of your light source. Dailed all the way down, you have a completely specular source with very defined clear shadow detail. Adjusting the power setting on the controller, allows you to slowly soften your shadows or completely eliminate them by choosing the full diffusion setting.

Chimera Welcomes Flashlight To The Family

Flashlight Ltd is the UK’s premier supplier of lighting equipment to the broadcast, motion picture and theatre industries. Operating from Manchester & London, they have been satisfying the needs of local and national productions since 2002, and have expanded rapidly now supplying freelancers, productions, studios, and theatres across Europe and beyond.

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Chimera and Zylight proudly announce Active Diffusion!

Zylight, a leading manufacturer of innovative LED lighting solutions, has partnered with Chimera Lighting to manufacture and distribute Active Diffusion, Zylight’s patented electronic diffusion technology, giving the end user infinitely adjustable opacity. Lightings first “Follow Focus.”

Taking It To The Streets

What drives the passion to become a photographer differs for each person. For New York City based freelance photographer, Kien Quan, it was dance that eventually led him to pick up a camera. But it wasn’t the dance that populates so many sites and blogs these days, of beautiful ballet dancers in classical poses. No, for Quan, it was breaking—a dance form born out of Hip Hop culture and known for its Bboy and Bgirl athletic and physically challenging moves.

Noah Greenberg Falling into Motion

Noah Greenberg moved sideways into cinematography through a fateful collaboration in 2008. He began his career more than 20-years ago as a commercial still photographer, shooting portraits for editorial, music and advertising clients.

Greig Fraser, ASC, ACS talks Rogue One and Lion

As an esteemed member of the Australian Cinematographers Society since 2012 and soon thereafter the American Society of Cinematographers in 2014, cinematographer and master lensman Greig Fraser, ASC, ACS, began his remarkable pedigree in filmmaking with documentary and short film work. But it was an American Film Institute win for Best Cinematography on director Tony Krawitz’ feature Jewboy, only five years into his career as DoP, that quickly led to several high profile feature films shot in his native Australia.

Looking For Inspiration – Peter Holland – StartUp

Peter Holland, ACS–His journey from humble beginnings to award winning cinematographer.

Growing up outside of London in a working class family, Peter Holland had no exposure to the film industry or theatre arts. As a student at the East London Comprehensive School, Holland felt that his choices after graduation were either working in the London rubber factory or the dole. “ I saw no point in continuing at school,” he recalls, so he quit at the age of 15 and went to work at what he deemed “ reasonable menial jobs.” Three years later he worked his way through the Mediterranean, returned to London for a few years and then decided to travel the Kangaroo route, which runs from Sydney west to London. “ I was looking for inspiration,” Holland says explaining that at the time, “ I was a little bit rudderless. Nothing I was doing was really fulfilling or exciting and I didn’t see much of a future in it—especially in England.”

La La Land Linus Sandgren

Released this last December, the Lionsgate musical La La Land has gone on to gross more than $340 million, eleven times its original budget of $30 million. Securing not only seven Golden Globe wins, one for every single nomination that the film received, La La Land is also currently tied with Titanic for most Academy Award nominations ever, including a nod for Best Cinematography for DoP Linus Sandgren, FSF, as well as Best Actress and Best Actor for stars Emma Stone and Ryan Gosling.

Cinematographer Kris Kachikis; Communication is the key to success on set

“There’s no room for grumpy,” says cinematographer Kris Kachikis in regards to the current state of filmmaking. “There’s no room for jaded.” Though he’s completely abashed at his own success, Kachikis also knows exactly what he is doing, and he works hard, which has helped to cement his reputation in the industry as a DoP capable of reliable coverage and quick rigging with a quick crew. Following up work on the feature-length film Mascots for master director and comedian Christopher Guest, now streaming on Netflix, Kachikis was already working on his follow-up as lead camera on the upcoming Christmas comedy, Why Him?, starring James Franco and Bryan Cranston, before Mascots had even debuted at the TIFF festival in Toronto this last September.