Taking It To The Streets

What drives the passion to become a photographer differs for each person. For New York City based freelance photographer, Kien Quan, it was dance that eventually led him to pick up a camera. But it wasn’t the dance that populates so many sites and blogs these days, of beautiful ballet dancers in classical poses. No, for Quan, it was breaking—a dance form born out of Hip Hop culture and known for its Bboy and Bgirl athletic and physically challenging moves.

Noah Greenberg Falling into Motion

Noah Greenberg moved sideways into cinematography through a fateful collaboration in 2008. He began his career more than 20-years ago as a commercial still photographer, shooting portraits for editorial, music and advertising clients.

Greig Fraser, ASC, ACS talks Rogue One and Lion

As an esteemed member of the Australian Cinematographers Society since 2012 and soon thereafter the American Society of Cinematographers in 2014, cinematographer and master lensman Greig Fraser, ASC, ACS, began his remarkable pedigree in filmmaking with documentary and short film work. But it was an American Film Institute win for Best Cinematography on director Tony Krawitz’ feature Jewboy, only five years into his career as DoP, that quickly led to several high profile feature films shot in his native Australia.

Looking For Inspiration – Peter Holland – StartUp

Peter Holland, ACS–His journey from humble beginnings to award winning cinematographer.

Growing up outside of London in a working class family, Peter Holland had no exposure to the film industry or theatre arts. As a student at the East London Comprehensive School, Holland felt that his choices after graduation were either working in the London rubber factory or the dole. “ I saw no point in continuing at school,” he recalls, so he quit at the age of 15 and went to work at what he deemed “ reasonable menial jobs.” Three years later he worked his way through the Mediterranean, returned to London for a few years and then decided to travel the Kangaroo route, which runs from Sydney west to London. “ I was looking for inspiration,” Holland says explaining that at the time, “ I was a little bit rudderless. Nothing I was doing was really fulfilling or exciting and I didn’t see much of a future in it—especially in England.”

La La Land Linus Sandgren

Released this last December, the Lionsgate musical La La Land has gone on to gross more than $340 million, eleven times its original budget of $30 million. Securing not only seven Golden Globe wins, one for every single nomination that the film received, La La Land is also currently tied with Titanic for most Academy Award nominations ever, including a nod for Best Cinematography for DoP Linus Sandgren, FSF, as well as Best Actress and Best Actor for stars Emma Stone and Ryan Gosling.

Cinematographer Kris Kachikis; Communication is the key to success on set

“There’s no room for grumpy,” says cinematographer Kris Kachikis in regards to the current state of filmmaking. “There’s no room for jaded.” Though he’s completely abashed at his own success, Kachikis also knows exactly what he is doing, and he works hard, which has helped to cement his reputation in the industry as a DoP capable of reliable coverage and quick rigging with a quick crew. Following up work on the feature-length film Mascots for master director and comedian Christopher Guest, now streaming on Netflix, Kachikis was already working on his follow-up as lead camera on the upcoming Christmas comedy, Why Him?, starring James Franco and Bryan Cranston, before Mascots had even debuted at the TIFF festival in Toronto this last September.

David Moxness ASC; Growing Up Behind the Camera

With a body of work for top names in the industry like J.J. Abrams, McG, Atom Egoyan and David Cronenberg, David Moxness A.S.C., C.S.C, has a technical history in media that goes as far back as gaffer for the very first interactive television show, Captain Power, as well as camera for Gene Rodenberry’s EARTH: FINAL CONFLICT, the first episodic to use 24 fps HD video. Known for, Moxness is currently filming a return to the popular and very successful miniseries, The Kennedys, with a sequel, The Kennedys After Camelot. He also shot several episodes on this last season of Lethal Weapon for 20th Century Fox.

Colin Anderson and the 1,000 Cranes

Based out of Australia, but finding himself working worldwide, conceptual artist Colin Anderson will often build a final still image from hundreds of other images and graphic elements. The commercial photographer finds himself in demand with clients looking to build deeply symbolic narratives that must be told through only a single still image. With a talent for fantasy, computer work and studio lighting, Anderson has plenty of advice on cobbling together the needed components for composite work and conceptual commercial photography. Recently, he was given Chimera equipment to try for the first time; see how Chimera improved his workflows!

Chimera is Proud to Support New York Cares Coat Drive

You’ve felt the chill. You’ve heard the call. You’ve seen the need. Now, you’ve stepped up to keep tens of thousands of New Yorkers in need warm this winter. For that, we can’t thank you enough. The Coat Drive runs through December 31st and the earlier we get coats the better, so make sure to start collecting today.

The Changing Landscape of Content Creation

Content creation has been redefined over the past several years, merging still and motion. Whether your specialty is beauty, fashion, food, products or documenting the world around us, being able to work in both still and motion continues to be critical to a creative’s survival in today’s market. We talk to top creatives and industry experts about how image making has changed and where it’s headed.