Cinematographer Dejan Georgevich ASC on his favorite Chimera accessories for working productions worldwide

With talents that extend far beyond those of a typical cinematographer, including four spoken languages, jet-setting DP Dejan Georgevich ASC has been working worldwide for more than two decades. As cinematographer as well as director, he has put together hundreds of award-winning commercials and industrials for a stellar list of clients, like AT&T, HBO, Toyota and Nissan. Almost as well known for his network of industry friends as his talents behind the camera, Georgevich also does his best to contribute to the filmmaking and production community. He’s a mentor to many of the students that have passed through his classes, not only in the classroom at the School of Visual Arts in New York, where he runs Advanced Production as well as Advanced Lighting and Cinematography, but also in many of the union workshops that he has led throughout the years as Co-Chair for the Eastern Region Education and Training Committee and National Executive Board Member at the ICG.

Michael Grecco on Lighting Dramatic Portraits and Developing a Signature Style

For a lot of people, photography is a life-long journey that starts at a young age. For Michael Grecco, it was a dreamy affair with the darkroom that started way back in summer camp. Fast-forward to the formidable years and he knew what he wanted to do when he went onto college: photojournalism.

Invest in quality or go cheap? Best Soft boxes for Photo and Video production?

How much should you spend on your gear, and what do you get for your money? Is a high-dollar item better than a less expensive item with similar features? Like every photographer in today’s market, I ask myself that very question when putting down cash for equipment.

A big question I get about the gear I use is, “Is that worth the money?” And for most of the gear I own, the answer is yes. Photography and video are the way I pay the bills, so the gear I use must work every single time I pull it out of the case.

Jeff Lewis; The Knack for Taking Big Risks at The Right Times

Many times in a creative’s life, there will be a period when you look back on what you’ve been doing and make a choice to pivot into a new chapter. For Jeff Lewis, there has been a few over the years – some very notable ones to say the least. Lewis grew up eating, sleeping & breathing football, although his creative side shown through in his oil paintings. However, it wasn’t until he was in college on the football field that his true calling occurred to him.

DP Nancy Schreiber, ASC On Women In Film And Lighting Without A Budget

Currently preparing for a labor-of-love shoot in Trinidad, Nancy Schreiber, ASC is bubbling with enthusiasm for the project, Moving Parts, a fictional narrative that centers on the international sex trade. “I was just drawn to the subject matter,” she says. Ever vocal for the rights of women, Schreiber says that she will work on several PSAs over the course of a year in between other work, but for this feature length, she has dedicated herself to seeing the project through despite a very small budget.

Cinematographer And ASC President Richard Crudo, ASC Talks About His Historic Career In Film

Starting in the late 1970’s, Crudo began his career as an assistant cameraman on such films as Raising Arizona, Ghostbusters II, Field of Dreams and Presumed Innocent. During that time he had the opportunity to work for a litany of historic cinematographers like Michael Chapman, ASC, Laszlo Kovacs, ASC, Gordon Willis, ASC and Vilmos Zsigmond, ASC.

President of the International Cinematographers Guild Local 600 I.A.T.S.E. and Former ASC President Steven Poster, ASC On The Challenges Of Modern Day Filmmaking

With more than sixty cinematography credits to his name as well as more than four decades surfing the turmoil of union politics, cinematographer Steven Poster, ASC has been instrumental to the industry of filmmaking not only as a world famous DP but also as a key figure in the fight for the rights of cinematographers and imaging professionals.

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DP Shane Hurlbut, ASC On His Enthusiasm For Tech, Lighting and Education

Shane Hurlbut, ASC is a very focused man. After securing a degree in film and television from Emerson College in 1986, the cinematographer quickly found himself learning grip and electrical work on movies like Phantasm II and Teen Witch. Since then, he has expanded his portfolio to include lead camera on nearly twenty films, including blockbusters like Need For Speed and Terminator: Salvation. The latter he shot with director McG, who just worked with him again on a film called The Babysitter, which is in post production. The film stars Russell Crowe and Jane Fonda. Hurlbut also completed the drama Fathers and Daughters with director Gabrielle Muccino late last year. It will premiere domestically in theaters this July.

Alex Buono DoP for the SNL Film Unit Talks About His Next Project and the Importance of Working with a Tightly Knit Crew.

Alex Buono hangs out with some pretty fun people. Having just returned from Colombia for a shoot on the second season of the satirical series Documentary Now!, the DP and director has been traveling the world for a new IFC show created by Saturday Night Live alumni Fred Armisen, Bill Hader and Seth Meyers.
Alongside his impeccable resume, Buono is probably most famous for seventeen years of work behind the famous “mock” vignettes poking fun at commercials and pop culture on Saturday Night Live.