Content creation has been redefined over the past several years, merging still and motion. Whether your specialty is beauty, fashion, food, products or documenting the world around us, being able to work in both still and motion continues to be critical to a creative’s survival in today’s market. We talk to top creatives and industry experts about how image making has changed and where it’s headed.
For Matteo Mescalchin, life has been all about going out and building things for yourself. Being born and raised in Padova, just outside Venice, where feature films are constantly shot due to the beautiful landscape, Matteo took an interest early on learning how to shoot video by skipping school to watch crews film movies in town.
Boulder, CO July 2016 – With the line between motion and still-content creators blurring more everyday, Chimera Lighting is proud to announce the release of the revolutionary Triolet to Profoto Adapter (9923).
Easily attached to the massively popular Triolet, a very price-point approachable continuous light fixture that can accommodate up to a 1000-watt bulb, this adapter allows you to use the light with Profoto’s wide array of light-shaping tools from reflectors to beauty dishes, and more.
How much should you spend on your gear, and what do you get for your money? Is a high-dollar item better than a less expensive item with similar features? Like every photographer in today’s market, I ask myself that very question when putting down cash for equipment.
A big question I get about the gear I use is, “Is that worth the money?” And for most of the gear I own, the answer is yes. Photography and video are the way I pay the bills, so the gear I use must work every single time I pull it out of the case.
Many times in a creative’s life, there will be a period when you look back on what you’ve been doing and make a choice to pivot into a new chapter. For Jeff Lewis, there has been a few over the years – some very notable ones to say the least. Lewis grew up eating, sleeping & breathing football, although his creative side shown through in his oil paintings. However, it wasn’t until he was in college on the football field that his true calling occurred to him.
With nearly a quarter of a century supporting the Swiss Imaging community, and a team of over 30 industry professionals We would like to welcome the Light + Byte team to the Chimera Lighting family.
Currently preparing for a labor-of-love shoot in Trinidad, Nancy Schreiber, ASC is bubbling with enthusiasm for the project, Moving Parts, a fictional narrative that centers on the international sex trade. “I was just drawn to the subject matter,” she says. Ever vocal for the rights of women, Schreiber says that she will work on several PSAs over the course of a year in between other work, but for this feature length, she has dedicated herself to seeing the project through despite a very small budget.
Starting in the late 1970’s, Crudo began his career as an assistant cameraman on such films as Raising Arizona, Ghostbusters II, Field of Dreams and Presumed Innocent. During that time he had the opportunity to work for a litany of historic cinematographers like Michael Chapman, ASC, Laszlo Kovacs, ASC, Gordon Willis, ASC and Vilmos Zsigmond, ASC.
With more than sixty cinematography credits to his name as well as more than four decades surfing the turmoil of union politics, cinematographer Steven Poster, ASC has been instrumental to the industry of filmmaking not only as a world famous DP but also as a key figure in the fight for the rights of cinematographers and imaging professionals.
Boulder, June 2016 -Thanks to Chimera Lighting’s continuing innovation, the company has announced the first ever adapter that allows lightbanks to be used with space lights. This effective and efficient system of pairing space lights with lightbanks now provides cinematographers and lighting professionals with an option previously unavailable—the ability to use a space light as a key light.