Content creation has been redefined over the past several years, merging still and motion. Whether your specialty is beauty, fashion, food, products or documenting the world around us, being able to work in both still and motion continues to be critical to a creative’s survival in today’s market. We talk to top creatives and industry experts about how image making has changed and where it’s headed.
Posts
For Matteo Mescalchin, life has been all about going out and building things for yourself. Being born and raised in Padova, just outside Venice, where feature films are constantly shot due to the beautiful landscape, Matteo took an interest early on learning how to shoot video by skipping school to watch crews film movies in town.
Traditionally tungsten lighting has been problematic for me, with high temperatures making them hard to modify and still producing less than stellar results. But my opinion has changed since I started using the Chimera Triolet. The Triolet is a small lighting fixture that can handle light sources, including tungsten bulbs, up to 1,000 watts.
Senior Photo Editor and lead photographer for the NFL, Ben Liebenberg gives us an amazing behind-the-scenes look at making press images for the NFL Honors.
“Any artist would benefit from learning other creative disciplines. We should all explore other arts and technologies, then combine them – what cognitive researchers call ‘unusual associations’. I think that’s a better strategy than just being a purist in one field.” – August Bradley
Senior Photo Editor and lead photographer for the NFL, Ben Liebenberg on creating and curating images for the iconic sports league and the tools he uses.
From its inception in 1980, Chimera Lighting has gained a reputation for innovation and excellence in the photography and film industries for its exceptional lighting products. But, like many innovative companies, Chimera evolved from humble beginnings.
