For Matteo Mescalchin, life has been all about going out and building things for yourself. Being born and raised in Padova, just outside Venice, where feature films are constantly shot due to the beautiful landscape, Matteo took an interest early on learning how to shoot video by skipping school to watch crews film movies in town.
How much should you spend on your gear, and what do you get for your money? Is a high-dollar item better than a less expensive item with similar features? Like every photographer in today’s market, I ask myself that very question when putting down cash for equipment.
A big question I get about the gear I use is, “Is that worth the money?” And for most of the gear I own, the answer is yes. Photography and video are the way I pay the bills, so the gear I use must work every single time I pull it out of the case.
Photographer M.D. Welch discusses why he chooses Chimera lightbanks over the competition for his work.
A softbox can be a photographers best friend, giving you limitless possibilities with options like removable diffusioin, reseased faces and additional options like grids. But that friendship can turn ugly when trying to setup or teardown a softbox on set, or on location. Photographer and Filmmaker M.D. Welch, specializing in commercial and editorial work demonstrates with different subjects and locations. How he lights subjects and which Chimera Lighting tools he uses to get the job done.
Grids are one of the most powerful tools for Photographers. But when it comes to softboxes, grids can go from friend to foe in a matter of moments. Photographer and Filmmaker M.D. Welch, specializing in commercial and editorial work demonstrates with different subjects and locations. How he lights subjects and which Chimera Lighting tools he uses to get the job done.